Playing around with imperfections on new surfaces.
I’ll be doing a live painting in connection with Angel City Brewery on May 26 during their Annual Heritage Festival. Much of my artwork is related to finding beauty among chaos. One way we can do this is by letting go of things we can’t control so we can put our energy towards things we can. In connection with this mission, this mural will be interactive.
The first 150 people that come to the event will be able to take an egg filled with pigment and write their latest concern, failure, or worry on the egg and at a scheduled time, we will all throw our eggs against the wall of the mural. So together we will put away all of those frustrations and make something beautiful out of it as I’ll incorporate the colored pigment thrown at the wall into the design of the mural.
There will also be a live band, great food and other surprises. Hope to see you there!
12:00 pm – 6:00 pm
216 Alameda St.
Los Angeles, CA 90012
Working out all the budding details on this new work in progress porcelain sculpture.
“Stop passively drifting thru life…Create the the life you wish with the Art as the catalyst…” Watch the full length video.👇🏼 Directed and filmed by the talented Daniel Beyer @daenielbeyer
Taking a break from the studio today. Bringing my #workinprogress to the coffee shop.
In the studio today experimenting with colored porcelain on some new sculptural pieces.
Harvest “ii” Mixed media + Digital
‘Liquid Dreams’ More parts of a painting.
Finishing up a few last strokes on a commission piece.
•Ishan Project: 300/65•
A putrid smell became more apparent as they continued cautiously down the hallway. This scent along with the motion they heard behind this laboratory door where the Impostors had been flying was more than disturbing. As they watch them fly into the shoot, their flexible bodies shed a green substance which oozes down the door.
Inside, they could see the flying insect’s motions more clearly now. They fly around in their drunken fashion in a circle over a structure which resembled a chair. But this structure seems to inflate and deflate, pulsating as if it were drawing strength from the energy found inside of the Moth’s belly. As Anali and Preet quietly move in closer, they watch in terror as the structure arches to the side, and then forms itself upright. It was now evident what this structure was. It not only served as a hive for the Impostors, but there was a symbiotic relationship they had with some life form underneath. Suddenly they noticed, the larvae from its’ dome begin to creep backwards forming structures like scales. This leaves a hole in the dome, revealing a soft complexion of a young woman’s face.
“No, it can’t be!” Anali whispers. “Violet. Why?”
PEER / Mixed Media / 5″ x 8.5″
•Ishan Project: 223/142•
A HOUSE DIVIDED
Reports have now been sent in that Chûndra and The Forecaster have found themselves at a standoff. Jeth’s position has been found strategically. Now Chûndra strongly feels that Jeth should be captured and interrogated. The Forecaster, on the other hand, has lathered his arrows with a unique chemical which not only can pin Jeth down, but also eliminate him indefinitely. However, neither party is able to move forward because of their disunity and distrust. And so, a dissension has occurred. An inevitable standoff between both parties.
A HOUSE DIVIDED / Gouache, Acrylic, Color Pencil / 5.5″ x 8.5″
•Ishan Project: 107/258•
Chaen was going to have trouble slipping by this many guards. He’d have to use his cloaking power and imitate a Triton guard.
His body leans forward as he transforms into their dazed look. He uses his covert ability to reach his family now trapped in this lair.
Underneath this building there’s too many twists and turns. All of the tunnels zig-zag like a maze in here.
CHAEN / Gouache, Pencil / 5.5″ x 8.5″
•Ishan Project: 52/313•
He laughs when he thinks of how he used to give her such a hard time. Anali’s father, the Judge of the Ishan people, had made a decision that caused him to lose the respect of the community. They were only kids at the time, but you know how kids are. They act off of what they hear the adults say and follow the crowd. She was too cute when she got angry, though, so even after time had passed and he didn’t really believe all the rumors, he would make fun of her just to watch her nose wrinkle up and her cheeks get flushed. Good times.
AWHILE / Gouache, Pencil / 5.5″ x 8.5″
•Ishan Project: 43/322•
SPRING EQUINOX I
Just like we style our hair, the Ishan like styling their branches. The difference is instead of it taking minutes to style, it takes months. It’s easier this part of the year because of the longer days in the sun.
SPRING EQUINOX I / Pencil, Marker / 5.5″ x 8.5″
•Ishan Project: 40/325•
She had been watching him for three days.
He would wake up about 1 p.m. and grab a late breakfast from the nearest trash can. After watching people walk around Central Park, he quarantines himself in an abandoned building to have lively conversations with a man named Bob and a child named Booger that are very real in his mind between the hours of 4 to 6 p.m. Then she watches him wail for his mom for another hour. After each psychotic episode, he begs at multiple locations. He has to keep moving to avoid police and other homeless men that would either try to seize his spot or seize him. He was only 11.
Aram couldn’t stand to watch him anymore. Tonight, when he goes to his usual spot to rest she’ll have to grab him there.
ARAM / Pencil, Acrylic, Chalk / 5.5″ x 8.5″
•Ishan Project: 24/341•
THE BRANCH THAT DOESN’T BLEED
Time: 1643. Netra battles the Birdface Crew and decimates them. Afterwards, Chûndra investigated how Netra was able to cause this type of destruction. She finds out about the Bleeding Chair which gave Netra these restorative and magnetic powers. She tries to replicate these by digging up the buried Ishan and chopping of their limbs. But it doesn’t work. The limbs she cuts only survive a day then die off. Now this opportunistic huntress turns her attention to Rïden.
THE BRANCH THAT DOESN’T BLEED / Pencil, Pastel / 4″ x 6″
•Ishan Project: 14/351•
Just before she went into the Dark Sleep, AnaLi Q recalls seeing a cloaked figure hovering above her. As her eyes closed his eerie grin was etched into her memory. A large hood was draped over his head so it was difficult to see his facial features. As she describes him, I start sketching. In her description, though, he has a feather tattooed on his left cheek below his eye. Further investigation revealed that he is associated with the Triton Queen Chûndra. They call him The Forecaster, because when he shows up, bad things are about to go down.
THE FORECASTER / Acrylic, Ink, Markers / 5.5″ x 8.5″
•Ishan Project: 2 /363 •
As she awoke AnaLi Q’s heart began pounding so hard it felt like it was going to break through her thorax. As a matter of fact she looked down on her branches and noticed the bark had begun to crack. However, the fact she survived this trauma gave her a sense of contentment that warmed her body…
AnaLi Q / Charcoal, Pencil, Pastel / 9″ x 11″
•Ishan Project: 1 /364 •
Due to a mysterious occurence, mankind’s memory has been wiped clean of a group of people that look like us but whose extremities streach to the heavens like branches from a tree. Through a series of Art projects for the next 365 days, Leah Smithson is documenting her investigation of what this occurrence actually was. In addition, she is creating a visual anthropologic documentary of the Ishan’s story and history. Resist + Remember. Follow this compelling story through pictures and interviews of the Ishan.
There were two storms. The first, happened 774 C.E. This storm, while putting the Ishan to sleep, gave humankind amnesia. May 7, 1988 the second storm started coming in waves creating an unsettling condition in the earth. And so begins the awakening…
THE AWAKENING / Charcoal, Pencil / 9″ x 11″
4 Days Until the Ishan Project Begins. Materials: Ready. Sign up to Follow this Gripping Tale at http://leahsmithson.com/blog.html
Sketchbooks: Ready. Sign up to Follow this Gripping Tale at http://leahsmithson.com/blog.html