Working out all the budding details on this new work in progress porcelain sculpture.
Trying to avoid the 🔥s’ on this Sketchy morning…thoughts & 💕 going out to all my neighbors affected by the #woolseyfire
Small studies of the figure for some upcoming work. 🎧🎼 #chilledcow
In the the studio today. Sculpting these hands traced with Trumpet mushrooms.
Taking a break from the studio today. Bringing my #workinprogress to the coffee shop.
In the studio today experimenting with colored porcelain on some new sculptural pieces.
Sculptured Hand pins available on the website at Talonandthesuneaters.com. 👆🏼DM me for the limited edition Hand Comb.
Thanks everyone who’s had an opportunity to see the Kickstarter for Wearable Art. It was really a treat hearing all of your wonderful expressions. A special thanks goes to all of you who’ve had the chance to share and/or pledge towards this project. There’s still 3 more days to purchase the wearable Relic scarf for only $99(Retail $250)!
Today I wanted to give a special shout out to Anitra Hillman at Nisey’s Studio Salon in Marietta, Ga 30068.
Also special hugs to Tuikeva Bolden, Justin Bass, David and Joanna Weisemann, David Dutra, Marnie Wardlaw and the beautiful ladies Sophia De Young and Kristen Cheetsos.
And to anyone out there who’d like to pledge to the kickstarter at https://www.kickstarter.com/projects/303106924/wearable-art-that-restores-knowledge-of-a-forgotte . Thanks everyone for your kind support. See you at the show. Resist and Remember.
Some have been wanting to see ‘behind the scenes’ of some of the paintings I’ve been working on. Here’s the sketch and underpainting of one of the pieces I’m currently working on getting ready for the upcoming show July 25 – 27, 2014.
I’m depicting an Ishan woman as she’s leapt into part of the atmosphere where the birds usually fly. She never revealed her name, so I have to give her one in this portrait. What do you all think a good name would be?
Oh, and this is Day 13 before the official Launch of Wearable Art That Restores Knowledge of a Forgotten Species Kickstarter.
During the Ishan Project we discussed The Elements which combated Chûndra’s influence over mankind. Two of which are The Scarves (which fragrance clarified the minds of the wearer as well as those in the vicinity) and The 4th Element (You The Observer).
Now we find ourselves at a unique point in our story. Soon I’ll be bringing the project live to the streets of San Francisco in the form of an Art Show. But first I’d love to hear your opinion. I’ve been playing with the idea of creating a series of scarves which will have one of the daily paintings of this series blended and painted on it’s surface. Which of the three would you vote to see featured? Saturday, April 26, of next week, I will be randomly selecting the name of one of the commenters to send a free print of the winning piece. All who’ve also shared or tweeted this post will also be given two opportunities instead of one. The winner will also be mentioned on my blog at www.leahsmithson.com/blog.html. I’m really looking forward to hearing from you and I invite you to sign up for my newsletter at: http://www.leahsmithson.com/ishan-project.html. Resist and Remember.
Just finished an interview with Patrick McCarty on Insight Radio. I’d love to hear your thoughts.
•Ishan Project: 359/6•
The 4bearance crossed over the vicious woods and found the trail to her palace. As they grew nearer, Anali began feeling her sister’s presence. It was unusual, yet as she looked back on her life, things were beginning to make sense now. No wonder they’d shared similar aspirations throughout their lives. As she gets nearer, she pulls back the adjacent tree’s limbs which gave a glimpse of the North wing. That’s when Chûndra looks out her window. Despite the commotion around her, she immediately draws eye contact with Anali. It seems as though she felt a similar connection as well. Anali’s stomach turns a little bit as she remembers how well she knew Chûndra. So much so, she could read her body language, which was showing she’d become rather inpatient, pacing back and forth with her eyes fixed on Anali. As Chûndra made a fist, sparks from her magnetic charge begin spewing out. Chûndra assumed 4bear would rescue her. Apparently she felt they weren’t moving fast enough. It was only right. She had, after all, been entitled to this sort of attention.
As the Sun reflected against the glass wall’s exterior, you could see the warped reflections held within. Under further scrutiny, we realized that Violet imprisoned her in the same glass Chûndra encased her parents in. Preet released the N-oid tincture. The dense smoke traveled across the moat and made contact with the glass. As Chûndra proceeded to step backwards, she taps her foot quickly and waits for the chemical to take it’s effect.
CROSSED / Mixed Media / 5″ x 4″
•Ishan Project: 356/9•
The night’s moon sprinkles light onto the marble floors tonight. One of the Guardians hear a familiar voice over commotion in the distance, so he decides to inspect it further. As he cautiously inches forward, he hears a clamored scratching and an eerie sound ahead.
As he turns the corner, he’s almost thrown backwards. For in front of him was the back of one of the largest birds he’d ever seen in person. This species had stood at an insurmountable nine feet. What was even more shocking was that Olam Ra had been speaking with him almost in a consolable fashion. This conversation proved odd. Even though he felt danger in the air, he knew he and everyone here were safe. As he stepped inside of the room the Bird’s neck turned a complete 180º. After it made eye contact with him, it hastily turned it’s attention back to Olam Ra.
SPECKLED SHADOW / Mixed Media / 5″ x 4″
•Ishan Project: 349/16•
Violet’s insatiable appetite to please Chûndra caused her to become a monster she always feared. Aggressive, vicious, and instinctive: Her psyche was unstable now. She tracks Chûndra’s movements as she sticks to the shadows. She’d been following Chûndra’s activity for some time now. She now senses her Crown’s power wain.
“Now would be an excellent time to intervene,” Violet reasons.
TRACKING SHADOWS / Mixed Media / 5″ x 4″